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p 161 to 186
JG Andersson: On symbolism in the prehistoric painted ceramics of China
to the 1920s
using the methods of stratigraphic and anthropological analysis
Picasso Picabia. La peinture au défi. Epigraphie p 161 to 186In a short lived Dada piece entitled La Pomme de Pins, Picabia stated in 1922: "Picasso is the only painter I love." Is this a new illustration of Picasso's force of attraction and preponderant influence on a 20th century artist? United by common southern origins, the Spaniard Pablo Picasso (1881 1973) and the Frenchman with a Spanish Cuban father, Francis Picabia (1879 1953), were closer than history has remembered and for one reason at least:
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