Francis Picabia. Notre tête est ronde pour permettre à la pensée de changer de direction. Amérique centrale et du sud or the representations of the

or the representations of the servants of the Roman army but also all the constraints imposed on the bodies or that the bodies exert to enter into communication with their surroundings: the Apollonian hand-to-hand combat

department

they breathe new life into the archaeological remains

Alain Jacobs

Francis Picabia. Notre tête est ronde pour permettre à la pensée de changer de direction. Amérique centrale et du sud or the representations of theA kaleidoscopic series of experiments. This is how Marcel Duchamp described the artistic career of his friend Francis Picabia (18791953), whose breathtakingly diverse work moved, in the space of fifty years, from Impressionism to radical abstraction, from Dadaist provocation to pseudo classicism, and from photographic realism to Art Informel. Fearless and daring, impetuous and brilliant, Picabia became both famous and infamous for his position at the